home without walls an overture to the linearity of symbols and their creation, as well as the chaos
behind that ornamentalism. The symbols serve
as tools of information – they can be extracted
from their context, merged, and reinterpreted in
various ways.
The work is based on the cultural genocide in
Nakhidjevan - exclave of Azerbaijan, that was
for centuries populated by various ethnicities
including Armenians: but in the course of the
last 20-30 years any trace of Armenian presence has been cleared out in order to rewrite history. The town of Agulis — an ancient Armenian
cultural center, is the geographic reference for
this work, with a focus on St. Tovma – 14th
century monastery, one of the eight (originally
twelve) churches of Agulis and 108 Armenian
sites altogether in Nakhidjevan, that have been
razed to the ground.
home without walls conveys this episode using the traditional rug symbols. The rug is an object that gives
any space a feeling of home and safety. Beyond that it is a magic protector from evil spirits,
curses and is a historical manuscript. Its beautiful and abstract symbols sometimes relate to stories of darkness, sorrow and suppression. In
case of this work, the rugs are communicating the
erased past of an entire community.